![]() On the other hand, they'd been gigging since the late '60s and releasing albums nearly as long, and just had a handful of gold records to show for it. They weren't a multi-platinum act in the years leading up to this record's release, but they'd earned a passionate fan base through years of sweat-soaked, incessant touring - and if they'd made a record that left those listeners crying sellout, they'd be worse off than before. Still, the steps the band took for Freeze-Frame were something of a gamble. The reason you didn’t hear too much synthesizer before is because we couldn’t afford them." "I mean, what we’re trying to do is grow. "It’s not a preconceived thing of ‘Let’s get something on the radio,'" added Justman. "We’ve never done a cheap shot, we’ve never done a commercial thing, all our albums we feel strongly about, we feel we’ve committed ourselves to every show we do, we work real hard, there’s nothing we’ve done we’re embarrassed about, and in 14 years we feel real proud of that, that there’s no moment in our history that we feel embarrassed by or apologetic for. "Our past history is our credibility," Wolf told Creem. ![]() As Justman and singer Peter Wolf pointed out, that made a huge difference. Freeze-Frame sounded a lot more modern than the group's earlier efforts, but it was still cut from substantially the same cloth. Geils Band made themselves more radio-friendly without sacrificing the essential components of their music. Ultimately, unlike any number of rock acts who altered their sound to suit pop radio in the '80s, the J. I think what an artist has to do is interpret in his own way where things are, at a particular time. The world is so fucked up - the nuclear bullshit, the economic state. "We felt we had to deal with issues now - especially now. " Freeze-Frame definitely has to do with the state of the world, in our interpretation of it," Justman told Rolling Stone.
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